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Black Snake Moan [DVDRip Xvid-ITA ENG MP3-Subs ITA ENG] [Skart]
[tntvillage.scambioetico.org]





POSTER





Original Title: Black Snake Moan

Nation: USA

Year: 2007

Genre: Drama, musical

Direction: Craig Brewer

Subject: Craig Brewer

Screenplay: Craig Brewer

Photography: Amy Vincent

Edited: Billy Fox

Music: Scott Bomar



Source: DVD --> DVDRip

Languages: Italiano (MP3 128), English (MP3 128)

Subtitles: Italiano, English (esterni, srt)

Runtime: 01:50:49

Dimension: 1492.98 MB







CAST



* Samuel L. Jackson: Lazarus

* Christina Ricci: Rae

* Justin Timberlake: Ronnie

* S. Epatha Merkerson: Angela

* John Cothran Jr.: Reverendo R. L.

* David Banner: Tehronne

* Michael Raymond-James: Gill









TRAMA (Italiano)



La giovanissima Rae è una ragazza fin troppo libera e disinvolta e per questo considerata dalla gente del suo
paese "facile". In realtà Rae ha dei disturbi del comportamento sessuale, con un desiderio bruciante
che la divora e che deve soddisfare, il che la rende un vero e proprio bersaglio per ogni uomo e ragazzo del piccolo
paese dove vive, nel sud degli Stati Uniti.  (Fonte: hyperreview.com)



Photo 1



PLOT (English)



In rural Mississippi, Lazarus, a former blues musician who survives by truck farming, finds a young girl nearly beaten
to death near his home. She's the white-trash town tramp, molded by a life of sexual abuse at the hands of her father
and verbal abuse from her mother, who seems to delight in reminding Rae of her mistake in not aborting her. Lazarus, who
is also facing personal crisis at the dissolution of his marriage, nurses Rae back to health, providing her with gentle,
fatherly advice as well as an education in blues music. Rae's boyfriend, Ronnie, goaded by the man who nearly beat Rae
to death, misunderstands the relationship between Lazarus and Rae, and vows to kill him. Lazarus, exhibiting a
street-smart understanding of violence and its motives, calls Ronnie's bluff, senses that he is as troubled as Rae, and
becomes a guiding force in the young couple's resurrection. (Source: IMDB)



Photo 2



RECENSIONE (Italiano)



Tennessee Williams incontra l'exploitation in questo " Black snake moan " , che resuscita un genere che
sembrava ormai estinto, il Southern Gothic. Paradossalmente il tutto risulta meno pulp di quanto potrebbe sembrare a
prima vista ( la locandina del film farebbe sbavare il Tarantino di Grindhouse ), grazie alla misurata regia di Craig
Brewer e alla perfetta alchimia che si instaura tra i due protagonisti, Samuel Jackson e Christina Ricci, trasformandosi
in una classica storia di redenzione. In una piccola cittadina del Tennessee Christina Ricci, quella che gli americani
chiamerebbero white trash, è Rae, una ragazza con seri disturbi del comportamento sessuale dovuti ad una violenza
subita nell'infanzia, cosa tanto improbabile sul piano clinico quanto emotivamente coinvolgente per lo spettatore,
mentre Samuel Jackson è Lazarus, un contadino appena lasciato dalla moglie, ex bluesman timorato di Dio. Quando
il fidanzato di Rae ( un convincente Justin Timberlake ) parte per il servizio militare, la ragazza perde il suo unico
punto di riferimento e si lascia andare ad una serie di eccessi. I due sono destinati ad incontrarsi una notte in cui
Rae, picchiata e data per morta, viene abbandonata vicino alla casa di Lazarus il quale, per curare quella che considera
una malattia, la incatena ad un termosifone. Arrivati a questo punto lo spettatore smaliziato inizia a temere il peggio,
anche perché l'atmosfera, ben servita da una fotografia sgranata alla Death Proof, è sudaticcia e fangosa
quanto basta e, per citare l'immortale Lynch di Wild at heart, " Più calda dell'asfalto della Georgia
". Invece il film sterza in maniera inaspettata, Lazarus assume un ruolo di padre vicario e ritrova proprio in Rae
una ragione per vivere, mentre la ragazza, dopo un processo lungo e doloroso, forse riuscirà ad esorcizzare i
propri demoni. Ottima la prova dei due protagonisti, ben assecondati da una regia non invasiva: Samuel Jackson torna
finalmente a recitare dopo anni di imbarazzanti B-Movie e Christina Ricci offre una prova di rara sensibilità,
disegnando un personaggio credibile e mai eccessivo, in un ruolo sempre sul filo del rasoio. Da antologia la scena in
cui, durante una tempesta, Lazarus suona e canta "Snake Black Moan ", il blues che da il titolo al film, con
Rae accovacciata sul tappeto. Terzo protagonista del film è infatti il Blues: il film è inframezzato da
brevi registrazioni d'epoca del leggendario Bluesman Son House, che spiega che il blues non è solo musica, ma un
qualcosa che ci parla di quello che succede durante l'incontro tra un uomo e una donna, la condivisione del dolore e
delle ferite dell'anima.  (Fonte: hyperreview.com)



Photo 3



REVIEW (English)



In the music business, they say you have your whole life to write your first album ... and six months to write the
second. The same goes for film -- after an incendiary feature film debut at Sundance in 2005 with Hustle and Flow,
writer-director Craig Brewer returns to the big screen with Black Snake Moan. Like Hustle and Flow, Black Snake Moan has
an incredibly simple pitch -- "An older African-American bluesman helps a young white woman deal with her
nymphomania. ..." -- and, like Hustle and Flow, Black Snake Moan is about a lot more than what it seems to be
about. And yet, Black Snake Moan is a lesser film than Hustle and Flow. It's not that Black Snake Moan is provocatively
salacious, but rather that it's poorly structured.

Lazarus (Samuel L. Jackson, looking old and beaten with a mouthful of low-cost dental work) has had better days. His
marriage has fallen apart thanks to his wife's affair. He used to play the blues, but now he works a small field in
Tennessee and earns spending money from his sales at a local market. Rae (Christina Ricci, whose hair, makeup, wardrobe
and demeanor suggest someone on Brewer's production team has seen Elia Kazan's 1956 Southern-sex trash-classic Baby Doll
one too many times) is very much in love with her boyfriend Ronnie (Justin Timberlake), but when he leaves to
participate in the training for his National Guard posting, Rae's alone. And Rae's not good at being alone. When Ronnie
leaves down the driveway, Rae runs after his ride until she collapses in a heap ... and Brewer quick-cuts to Rae bent
over a hotel room sink, being used by another man, her hot breath fogging the mirror as she shudders and bucks. Ronnie's
been gone for maybe....an hour.

After a backwoods party where booze and pills are the order of the night (and Brewer delivers one ace shot here, as the
warm, summertime tones of a party shift to cool, clammy blue as the drugs take hold), Rae is abandoned, half-naked and
battered, unconscious at the side of the road. Lazarus finds her. Lazarus takes her in. Soon, Lazarus gets a grip on
Rae's issues -- primarily because of how desperately she tries to get a grip on him. Lazarus actually chains Rae to a
radiator so she cannot leave his house and literally fuck any man who crosses her path. And they talk a little. About
life. And about the blues.

Much as Hustle and Flow moved and grooved with the beats of hip-hop, Black Snake Moan dips and shakes with the rhythms
of the blues. It even opens with a clip of legendary bluesman Son House explaining the medium: "Ain't but one form
of the blues ... Two people supposed to be in love and one or the other deceives the other. ..." And the film's
musical rhythms work with the feel of the movie -- gutbucket blues churning over the sight of front yards festooned with
weeds and won't-run cars. But movies aren't just feel -- and in Black Snake Moan, you get a great demonstration of how
structure and timing can make the difference in terms of a film's success or failure. The problem with Black Snake Moan
isn't the incendiary nature of the material -- after the playschool platitudes of end-of-year limpidly liberal
industrial-Hollywood productions like The Pursuit of Happyness and Bobby, I want to see an incendiary movie about race,
sex and class in America, a movie that actually talks about those things and the things we think and feel but never
speak or question.

The problem is simply one of time structure: The amount of time Lazarus ministers to Rae is just too short for her
victory over her self (or rather, in fact, over her past) to mean anything. Hustle and Flow stuck with audiences, in
part, because we watched Terrence Howard's Djay transform over a period of days and weeks from pimp to rapper and, more
importantly, from amoral man to moral man. In Black Snake Moan, Lazarus and Rae (two names apparently on loan from a
Symbology 101 course, but never mind) work through her problems in one long afternoon. During Lazarus's unconventional
program of therapy, his preacher friend R.L. (John Cothran) drops by and is scandalized by the sight of Rae in bonds --
and legitimately fearful of what might happen if Lazarus and Rae's private interaction became public knowledge:
"Why is there a half-naked white woman chained up in your house?" You could ask the same of Brewer -- why is
there a half-naked white woman chained up in a black man's house if you're not going to use that to talk about race and
sex, if you're not going to show us a real journey for these characters, if you're not going to give Christina Ricci and
Samuel L. Jackson bigger acting challenges than nudity and bad wigs?

Black Snake Moan isn't a bad film; it's just not as well-conceived and well-structured as Hustle and Flow. There are
half-formed hints of the movie Black Snake Moan might have been all through the film, but Brewer's elements of race and
music and lust ... just remain elements. Even if you'd never seen Hustle and Flow (and, frankly, if you haven't, you
should), you'd probably consider Black Snake Moan more striking than successful -- a film where the lead actress is
literally wrapped in forty pounds of metaphor, and where lifetimes of abuse, addiction and regret can be cleared up over
the course of less than a week with some moonshine and home cooking and 12-bar riffs. (Source: cinematical.com)











COVER



FRONT COVER









SCREENSHOT



SCREEN 1



SCREEN 2



SCREEN 3



SCREEN 4











TECNICAL DATA



[ Info sul file ]



Nome: BL4CK 5N4K3 M04N [DVDRip Xvid - ITA ENG MP3] [Skart].avi

Data: 17/10/2008 07:26:38

Dimensione: 1,565,503,488 bytes (1492.98 MB)



[ Info generiche ]



Durata: 01:50:49 (6648.8 s)

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ISFT: VirtualDubMod 1.5.4.1 (build 2178/release)

JUNK: VirtualDubMod build 2178/release



[ Dati rilevanti ]



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[ Traccia video ]



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[ Traccia audio n. 1 ]



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Chunk-aligned: Sì

Emphasis: none

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Ritardo: 0 ms



[ Traccia audio n. 2 ]



Audio tag: 0x55 (MP3)

Bitrate (contenitore): 128 kbps CBR

Canali (contenitore): 2

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Tipo: MPEG-1 Layer III

Encoder: LAME3.97

MPEG frames: 277033

Durata: 01:50:49 (6648.792 s)

Chunk-aligned: Sì

Emphasis: none

Mode: joint stereo

Ritardo: 0 ms



[ Info sulla codifica MPEG4 ]



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[ Profile compliancy ]



Profilo da testare: MTK PAL 6000

Risoluzione: Ok

Framerate: Ok

Min buffer fill: 80%











INFO





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